What goes into writing a great movie script?

Last Updated: 02.07.2025 02:45

What goes into writing a great movie script?

Don’t direct from the page. Everyone, from the director on down, wants to be part of the process of making movies. Let them do their work.

Use status to help drive conflict. King Lear/fool. Upstairs/downstairs.

Audiences are smarter than you think. Something about turning down the house lights makes their IQs go up.

Delete Every App On Your Smartphone That’s On This List - Forbes

Only God gets it right the first time. Rewrite everything.

The DSM 5 is a wonderful character compendium.

All rules are made to be broken, but you damn well better know WHY you’re breaking them.

This Hypercar From Koenigsegg Called Sadair’s Spear Just Rewrote Every Rule of Performance, Speed, and Automotive Extremes - Rude Baguette

What you leave unwritten is as important as what you write. SUBTEXT.

A scene should change valence from beginning to end. Up to down, down to up.

Write in reverse time. Major characters need to change polarity; minor characters may remain the same at the end.

Belmont Stakes 2025: Odds, horses, prediction, complete bettor’s guide - New York Post

Make sure to pack enough explosives into the rocket.

Primary characters must change polarities. Secondary characters can change less.

To develop a unique voice for each character, try interviewing your characters.

Can the United States threaten the UK with destroying its economy to force it into anything, just like what happened in the Suez Crisis?

Outline everything. Use story beats. Keep character’s mouths taped up, until they absolutely MUST speak. Write the script and the dialogue at the last minute, after you’ve revised the hell out of the outline.

Learn to tell a story orally and not through writing. Try telling your story to a friend.

Leave holes. Write and unwrite. Put it in, take it out.

How can parents identify and address early signs of racial bias in young children?

People choose what to see based on the high concept. Make sure to deliver an ending consistent with the high concept -- it is what the audience paid for.

Cut everything that is not a payoff, or a setup for a specific payoff. “Omit needless words.” Think about the sparseness of joke telling, or Grimm Brothers.

Your primary job is to create situations. Modern actors will fuck up your dialogue, despite whatever your contract says.

Why do many modern Hollywood films rely heavily on CGI and visual effects instead of actual sets? What is your opinion on this trend?

Maintain a slush pile/idea file. When you are ready to write, choose the best seeds to plant.

Research the facts and then throw away the research.

A critical function of storytelling is wish fulfillment. This is why video games are so popular. “That protagonist is JUST LIKE ME.”

When did bestiality first occur to you and how did it happen the first time? Was it a deliberate decision or it just happened and you allowed it?

Get up there yourself. Be in a movie. Take some acting (not writing) classes. Learn how a trained actor approaches a text. Learn why actors take roles. They do as much if not more than the writer does.

Actors give better feedback than writers do.

Conflict is your power source; without it you have no drama and hence no script.

What is the reason for writing X^2 as XX instead of X*X?